Tips to Determine African Art Value & Authenticity
Evaluating the value and authenticity of African art begins with understanding traditional craftsmanship, patina, provenance, and tribal origins. Key factors such as carving quality, condition, rarity, and documented history all influence market value. By learning what collectors and experts look for, you can better assess African tribal art and make more confident buying decisions.
Look at the piece. Is it well carved, is the patina logical (worn at tops not in the holes). When you look with an magnifying glass there may not be parallel lines (from emery paper). Is the style coherent with others, compare it with similar pieces in museums collections.
The ethnical provenance. Even of same quality, the art of different tribes can have huge price differences. E.G.: Luba has more value than Lobi.
Pedigree is important. A piece collected in the 1930s has more value than a similar piece recently brought from the field. Published pieces—especially those featured multiple times in reputable exhibition catalogs—tend to be worth more.
Fashion. Currently the fashion is for the aesthetics and decorative aspect of a piece with a shiny aspect. Some collectors of modern art are more interested in the forms than in original patina and quality.
Condition matters: excessive restoration decreases value.
Provenance—where the piece came from—plays a major role in determining authenticity and price.
Size can influence value. Many pieces measure 40–50 cm; larger examples often command higher prices, even when quality is the same.
Auction results and exhibition history also matter. Some tribes are especially desirable, particularly when record auction prices have been achieved.
Freshness on the market and rarity of production within a tribe can increase desirability.
Finally, consider the seller. A well-known gallery or knowledgeable collector may charge more, but buying from a reputable source increases the likelihood of acquiring a higher-quality, authentic piece.
The above information reprinted courtesy of a long gone African Antique dealer.
A link to the source is no longer available.
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